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RICHARD VICTOR SELOPE THEMA |
Of all the New African intellectuals, Selope Thema was
the most adamant about the necessity of the African people participating
in the making and creation of modernity. Although in contrast to John
Dube, Solomon T. Plaatje, Pixley ka Isaka Seme, D. D. T. Jabavu, Charlotte
Manye Maxeke, A. B. Xuma and a few others, Selope Thema had as yet been
in the United States by the end of the 1920s, he seems to have had a deeper
historical intuition than the others in recognizing the exemplary nature
of New Negro modernity for the creation of New African modernity. Although
John Dube can be said to have gone further than Selope Thema in this regard,
by establishing the instutional forms of African modernity such as the
Ilanga lase Natal newspaper and the Ohlange Institute, both of
which were modelled on what Booker T. Washington had achieved in United
States, Thema was more conscious than Dube of the undertakings of Washington
as an ideological system within modernity. Hence, it is not surprising
that Selope Thema was uncompomising in his political position that there
must be an absolute between tradition and modernity. Whereas most of his
intellectual colleagues sought a median position these two historical
constructs or cultural processes, he unreservedly championed modernity.
Consequently, Selope Thema aptly titled his autobiographical essay "Up
From Barbarism", in emulation of Washington's autobiography, Up From
Slavery. Selope Thema also appropriated the 'Wizard of Tuskegee's'
conservative political philosophy with dire consequences on the ANC in
the early 1950s. But in the 1920s as a corespondent and columnist of Umteteli
wa Bantu, he was in the forefront of the New African intellectual
avant-garde with his riveting intellectual brilliance. In this decade
in this newspaper, he wrote many outstanding articles on the progress
of the New Negroes within United States modernity, on the importance of
education in the realization of modernity, on the fundamental importance
of New African intellectuals in actively participating in the making of
New African political modernity, etc. In this extraordinary venture, he
was accompanied by the other leading correspondent of Umteteli wa Bantu,
H. Selby Msimang. In these particular accomplishments, Selope Thema was
following on the footsteps of senior colleague in the newspaper, Allan
Kirkland Soga. Soga had been championing the same issues two decades earlier
in Izwi la Bantu, but not with same unswerviring ideological commitment.
R. V. Selope Thema's achievements in this decade had a profound impact
on younger New African intellectuals such as H. I. E. Dhlomo, Jordan Kush
Ngubane and others. Ngubane in the 1940s as editor of Inkundla ya Bantu,
was to take the achievements of R. V. Selope Thema to a higher intellectual
level. Ngubane's judgment in the 1940s that Selope Thema's assumption
of the editorial responsibilities of the new newspaper in 1932, Bantu
World, was the beginning of his tragic and steep intellectual decline,
seems to have been confirmed by posterity.
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